Sample CV-naomi

SOLO EXHIBITIONS

2002        Augment. Susan Cummins Gallery, Mill Valley, CA
2001        Betwixt: A collection of random thoughts. Gallery 138, Kent State University, Kent, OH
1999        Susan Cummins Gallery, Mill Valley, CA
1998        Internal Diversions. Stix Friedman Gallery at Craft Alliance, St. Louis, MO

SELECTED GROUP EXHIBITIONS

2013        Crush II. Curated by Sara Brown and Galatea Kontos in conjunction with
                    Zoom: Examining the Future of Craft. Indiana University, Bloomington, IN
2012        Hanging Around: Necklaces from the MAD Collection. Museum of Arts and Design, New York, NY
                    Clasp: Curated by Robert Longyear. Craft Alliance, St. Louis, MO
                    Tangible Competitive Intangibles. Curated by Claire Cowie and Robert Yoder.
                    Jacob Lawrence Gallery, School of Art, University of Washington, Seattle, WA. 
                   Badges and Buttons -Waistcoats and Vests. Velvet da Vinci, San Francisco, CA
                   Curated by Elizabeth Turrell and Robert Ebendorf
2011       Us in Flux. Sponsored by Lawrimore Project, Greg Kucera Gallery, Seattle WA (catalog)
2010        Body/Image. Gwen Frostic School of Art, Western Michigan University, Kalamazoo, MI
                    Celebrating 70. Facere Art Gallery, Seattle, WA
2009        Stimulus Project. Sienna Gallery, Lenox, MA
2008        West meets West. Bluecoat Gallery, Liverpool, U.K. Represented by Velvet da Vinci, CA
                    Refined V: Abundance. Biennial exhibition, Stephen F. Austin State University, Nacogdoches, TX
                    Juror: Charon Kransen (catalog)
                    New West Coast Design: Jewelry and Metalwork. Velvet da Vinci, San Francisco, CA
2007        Two Cans: Works Between Maria Phillips and Sarah Turner. 
                   Galerie Noel Guyomarc’h Bijoux D’Art, Montreal, Quebec
                   SOFA: New York.  The David Collection, Pound Ridge, NY
2006        Two Woman, Two Continents: Maria Phillips and Iris Boedemer. 
                    Curator: Sharon Campbell, Grover Thurston Gallery, Seattle, WA
                    Edges of Grace: Provocative Uncommon Craft. Fuller Craft Museum, Brockton, MA
2005        Beyond the Body: Northwest Jewelers at Play. Tacoma Art Museum, Tacoma, WA
                    Shift. Charlotte Meyer and Maria Phillips, William Traver Gallery, Tacoma, WA
                    Hanging in Balance: Forty-two Contemporary Necklaces. Stanlee and Gerald Rubin Gallery, 
                    University of Texas at El Paso.  Traveling exhibition and catalog.
                    SOFA: New York.  The David Collection, Pound Ridge, NY
2004        Sensuous Matter. June Fitzpatrick Gallery, Maine College of Art, Portland, ME
                    Rings. Gallery of Art and Design, North Carolina State University, Raleigh, NC
                    Collect. Victoria and Albert Museum, London, U.K. Represented by Velvet da Vinci Gallery. 
                    SOFA: New York.  The David Collection, Pound Ridge, NY    
                    Current Directions: Studio Art Jewelry. Delaware Center for the Contemporary Arts, 
                    Wilmington, DE
2003        Building Tradition: Gifts in Honor of the Northwest Collection. Tacoma Art Museum, Tacoma, WA
                    Evocative Objects. Bannister Gallery, Rhode Island College, Providence, R.I.
                    Informal Observations: Brilliant Masters of Fired Enamels. Palo Alto Art Center, Palo Alto, CA
                    bigLITTLE: Jewelers and Sculptors Making it in Metal. Craft and Cultural Arts Gallery, Oakland, CA                               On The Edge: Maria Phillips, Harriet Estelle Berman, Laurie Hall. Facere Gallery, Seattle, WA
                    Transformation: Contemporary Work in Small Metals and Jewelry. National Ornamental Museum, 
                    Memphis, TN
2002        The Metal Album. Dorothy Uber Bryan Gallery, Bowling Green State University, OH
                    Display Use Only. Kirkland Arts Center, Kirkland, WA 
                    Metal Under Glass. Southwest Missouri State University, Springfield, MO
                    Generating Connections. The Society of Arts and Crafts, Boston, MA
                    Materials and Color. Galerie Noel Guyomarc’h Bijoux D’Art, Montreal, Quebec
2001        Transformation: Contemporary Work in Small Metals and Jewelry. Elizabeth R. Raphael
                    Founder’s Prize Competition. Society for Contemporary Craft, Pittsburgh, PA
                    Repetitive Motion. College of Visual Arts, St. Paul, MN
                    Jewelry As An Object of Installation. Susan Cummins Gallery, Mill Valley CA
                    Print and Enamel Exhibition. Kent State University Art Gallery, Kent, OH
                   ZIERAT: International Contemporary Jewelry Invitational. Southwest School of Art and Craft, 
                   San Antonio, TX
2000       Under the Influence: Contemporary Jewelry and Ethnographic Objects.
                   Tacoma Art Museum, Tacoma, WA
                   Organic Structure. Sienna Gallery, Lenox, MA
                   Different Voices. Facere Jewelry Art Gallery, Seattle, WA
                   Contemporary Enamels. Arizona Commission on the Arts, Traveling Exhibitions Program
                   Spell/Bound: Maria Phillips and Jennifer Dixon. Archer Gallery at Clark College, Vancouver, WA. 
                   Means/Ends: Plaster. Soil Gallery, Seattle, WA

SELECTED GRANTS AND AWARDS

2004        Artist Trust/Washington State Arts Commission Fellowship, Seattle, WA
2001        The Elizabeth R. Raphael Founders Prize, Second Place. 
                    Society For Contemporary Craft, Pittsburgh, PA
2001        American Craft Emerging Artist Grant.
1999        Juror’s Award. 19th Annual Northwest International Art Competition. Whatcom Museum, 
                   Bellingham, WA
1998       Award of Excellence. Smithsonian Craft Show. Smithsonian Museum, Washington, D.C.

ARTIST RESIDENCIES

2003        John Michael Kohler Art Center. Three-month Arts/Industry Program, Foundry and Enameling.
2003        Penland School of Crafts, Penland, North Carolina. Nine-week Artist in Residence.  
                    Sponsored by the Warhol Foundation and the National Endowment for the Arts.                                             
2000        Oregon College of Arts and Craft, Portland, OR
                    Six-month Artist in Residence, Metal Arts department.
99-00      Poncho Artist in Residence. Pratt Center of Fine Arts, Seattle, WA

COLLECTIONS/COMMISSIONS

                   Museum of Arts and Design, New York, NY
                   Smithsonian American Art Museum Renwick Gallery, Washington D.C.
                   Tacoma Art Museum. Tacoma, WA
                   John Michael Kohler Arts Center. Sheboygan, WI
                   Kohler Company. Sheboygan, WI
                   Sharon Campbell, CONSERVATOIRE, Seattle, WA
                   Seymour Rabinovitch, Tart Slice. Seattle, WA 
                  Collection acquired by the Victoria and Albert Museum, London, England

EDUCATION

1997        Master of Fine Art, University of Washington, Seattle, WA
1986        Bachelor of Art: Advertising -Graphic Design, Loyola University, New Orleans, LA

PUBLICATIONS

2005      “The Penland Book of Jewelry: Master Classes in Jewelry Techniques”. Electroforming: pg. 166 
2004      “Collect: New Art Fair for Contemporary Objects”. Art Jewelry Forum News; Spring 
2003        Exhibition in Print: Enamel: A Contemporary Perspective. Metalsmith Magazine, 
                   Co-Curated with Gretchen Goss
2002        Interview-Essay: Studio Visit: Kiff Slemmons. Metalsmith: Summer 2002 Vol. 22-#3 p.45

 BIBLIOGRAPHY

         “21st Century Jewelry; The Best of the 500 Series”: Marthe Le Van 2011pg. 168
         “The Art of Enameling; Techniques, Projects, Inspiration”: Linda Darty. 2007 pgs.16,19
           Exhibition Review: Rebecca Scheer, “Beyond the Body: Northwest Jewelers at Play”. 
           Metalsmith. Volume 26, No. 2, 2006, pg.53
           Exhibition Review: Matthew Kangas, “Charlotte Meyer and Maria Phillips: Shift”. 
           Metalsmith. Volume 25, No. 5, 2005, pg.59
         “500 Brooches”. Introduction: Marjorie Simon. A Lark Jewelry Book.
        “1000 Rings, Inspiring Adornment for the Hand”. Introduction: R. W. Ebendorf. 
           A Lark Jewelry Book, pg. 290
           F.R. Nichols, “Something Special in NE Wisconsin”, Glass On Metal, Vol. 23, No. 2, 2004 pg.36
           Christine Tate, “Current Directions: Studio Art Jewelry”, Metalsmith, Vol. 24, No. 3, 2004, pg. 53
           Kathleen Browne, “Inventing Contemporary Ornament,” Metalsmith, Vol. 23, No. 3, 2003, pg.46
           R. Bella Rabinovitch, “Materials and Color” Metalsmith, Vol. 23, No. 2, 2003,pg.46
           Alan Dubois, “Metal Under Glass”. American Craft, August/September 2002 pg. 52 - 55
         “Exhibition In Print”, Metalsmith. Volume 22, Number 4, 2002,  pg.38
          Beth Huseman, “Transformation 3: Contemporary Works in Jewelry and Small Metals”.  
          Dorothy Spencer, “Found Object Art and Artists”. 2002 p. 178 - 180
          Glen Brown, “An Anti-classical Strategy. Ornament”. Vol. 25, No.1 Autumn 2001 p.34
         “Portfolio”. American Craft. August/September 2000 p.63
          Exhibition Review. “(Un)Common Materials”, The Boston Sunday Globe, Boston Massachusetts 2000
          Frank Lewis, “Observations”. Metalsmith. Spring 1999 p.38
          Robin Updike, “Cheerful Bits and Pieces”. The Seattle Times, Seattle, Washington November 27, 1997
          Eric Fredricksen, “Salt, Pods, Boards”. The Stranger, Seattle, Washington December 11, 1997

PROFESSIONAL EXPERIENCE

2014        Rhode Island School of Design, Jewelry/Metals Department Providence, RI
                   Guest Lecturer: Graduate Seminar/Critique, Spring Semester
                   The Bush School, Seattle WA. Substitute instructor: high-school level Metals/Jewelry
                   Photography, Printmaking, Painting and Fire Arts.
2012        Rhode Island School of Design, Jewelry/Metals Department Providence, RI
                   Guest Lecturer: Graduate Seminar: Inside – Out. Mid-term critique, Spring Semester.
                   Cranbrook Academy of Art. Bloomfield Hills, MI
                   [Re] IMAGEning. Jewelry/Metals Seminar: Maria Phillips & Lori Talcott 
2011        Society of North American Goldsmiths Annual Conference, Seattle, WA
                   Exhibitions Committee Co-Chair: Selected and organized fifteen exhibitions 
                   hosted by local galleries.                               
                   California College of Art, Oakland CA. Metals Department:
                   Guest Lecturer/Seminar: It’s all a process, right?
                   University of Indiana, Jewelry/Metals Department, Bloomington IN
                   Guest Lecturer: Graduate Seminar/Critique and Electroforming Workshop.
2010        Rhode Island School of Design, Jewelry/Metals Department, Providence, RI
                   Guest Lecturer: Graduate Seminar/Critique, Spring Semester.
2009        to be (determined) – an exhibition of the first five: Co-Curator with Sarah Turner
                   The Hatton Gallery at Colorado State University, Fort Collins, CO
                   Alessi Design-Think-tank: Hosted by Cranbrook Academy of Art, Bloomfield Hills, MI
                   Surfacing: The Enamelist Society Conference
                   Juror: 12th Biennial International Exhibition and 8th International Student Exhibition.
                  Cranbrook Academy of Art, Bloomfield Hills, MI
                  Guest Lecturer and Crtique: Metals Department.

2008–07         University of Washington, Seattle, WA
                             Visiting Instructor: Metal Arts Department. One-year appointment. 
                             Visiting Lecturer: Rietveld Academy, Amsterdam, Holland.  
                             Lecture: Line, Memory, Body, Status:10 American(?) Jewelry Artists. 
2007–06        Cranbrook Academy of Art, Bloomfield Hills, MI
                            Visiting Artist/Instructor: Metals Department. One-year appointment 
                            University of Washington, Seattle, WA
                            Visiting Instructor: Metal Arts Department. One-year appointment. 
                            Oregon College of Art: Portland, OR
                            Lecture and Workshop: Considering Process. 

2005        Towson State University: Baltimore, MD. Visitng Artist: Electroforming workshop and lecture.
                   Pratt Center of Fine Arts: Seattle, WA 
2004        University of Washington, Seattle, WA 
                   Visiting Instructor: Metal Arts Department, Winter quarter.
                   Maryland Institute College of Art: Baltimore, MD 
                   Visiting Artist: Workshop and lecture.
2003        Cranbrook Academy of Art, Bloomfield Hills, MI. Visiting Artist: lecture and critique.  
                   New York State University, New Paltz, New York. Visiting Artist: lecture and critique.        
                   University of Washington, Metal Arts Department, Seattle, Washington. 
                   Adjunct Instructor, Spring quarter.
                   The 9th Biennial Conference of the Enamelist Society. Olympia, Washington. 
                   Artist Presentation and Electroforming workshop.
                   92nd Street Y, New York, NY.  Visiting Instructor. Alternative Enameling Practices. 
                   Pratt Center of Fine Arts: Seattle, Washington. Eight-week course: Independent Studies. 
 2002       University of Oregon, Eugene, OR. Visiting Instructor: Electroforming Workshop. 
                   University of Washington, Metal Arts Department, Seattle, WA
                   Visiting Instructor: Winter quarter. 
                   Pratt Center of Fine Arts: Seattle, WA.  Instructor, Eight-week course: Enameling.